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48 pages 1 hour read

Sharon Creech

Granny Torrelli Makes Soup

Sharon CreechFiction | Novel | Middle Grade | Published in 2003

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Part 1, Chapters 1-13Chapter Summaries & Analyses

Part 1: “Soup”

Part 1, Chapter 1 Summary: “That Bailey...”

Rosie is angry because Bailey told her to “get over” herself. She retorted that he should get over himself. Her response shows just how angry he made her.

Part 1, Chapter 2 Summary: “I’m Mad...”

Bailey is a long-time friend and good neighbor, and he knows Rosie better than anyone. But today, she hates him.

Part 1, Chapter 3 Summary: “Granny Torrelli Says...”

Rosie recalls Granny Torrelli’s advice that when you are angry at someone, you should focus on the person’s good qualities and past kindnesses. Granny Torrelli is usually so unruffled. There was that one time, though, when Granny Torrelli beat back a man posing as a meter reader.

Part 1, Chapter 4 Summary: “Why I Liked Bailey...”

Bailey and Rosie have been friends since they were first born only a week apart. Because both their mothers told her to do so, Rosie has always felt that it’s her job to help Bailey, a responsibility she was happy to fulfill because he was always so sweet. She even used to pretend that he was her brother. She cannot understand why he has just been so cold and mean.

Part 1, Chapter 5 Summary: “Granny Torrelli Makes Soup...”

Granny Torrelli declares that she will be watching Rosie for the night, and she wants to make soup, zuppa in Italian. They start prepping ingredients, and Granny Torrelli asks Rosie what’s wrong—Rosie is smart, Granny Torrelli says, but not enough to fool her.

Part 1, Chapter 6 Summary: “You Going to Tell Me?”

Granny Torrelli gently presses Rosie to tell her what has happened—what is making her eyes “so inside-looking.” Rosie admits the problem relates to Bailey. Teasingly, Granny Torrelli frowns and pretends to cry about Bailey, which helps Rosie to laugh.

Part 1, Chapter 7 Summary: “Pardo...”

Granny Torrelli tells Rosie that she once had a close childhood friend named Pardo. They were great friends, just like Rosie and Bailey: “Pardo was my buddy, my pal” (13). Granny Torrelli instructs Rosie to stir the soup, and she lets Rosie decide what kind of salad to make—Rosie picks the one with oranges. Rosie asks why her grandmother did not marry Pardo instead of her Grandpa, and the older woman replies that they were young, “[j]ust kids. Bambini” (15). Rosie reflects that her Granny Torrelli and this Pardo really were just like her and Bailey, who are both 12 years old, just kids as well.

Part 1, Chapter 8 Summary: “Bambini...”

When Rosie and Bailey were three or four years old, playing on the kitchen floor, their mothers at the table, Carmelita, Bailey’s mom, began to cry. Afterward, Rosie’s mom told Rosie that Carmelita was worried about Bailey. Bailey had partial vision. Rosie’s mom put a tissue over Rosie’s face to demonstrate how Bailey sees the world. His poor sight was the reason for his frequent stumbling. Rosie tapes the tissue to her face and uses her hands to get around, eventually falling asleep with the tissue still there. When she wakes, before opening her eyes, she reflects that at least at night, she and Bailey “see the same way” (18).

Part 1, Chapter 9 Summary: “Just Like Bailey...”

Rosie always wanted to share everything with Bailey: clothes, skills, toys. As a result, their first day of school was a disaster. Rosie ran to Bailey’s house and slipped past Bailey’s mother—ignoring Carmelita’s explanation that Bailey would need to attend a different school. When Rosie reached Bailey, she insisted she would help him and that he could come with her. Rosie’s mom had to physically drag her out, and Rosie screamed for Bailey in the car until her mother pulled over to sit with her on the swings at a park “for a long, long time” (20). Even after, Rosie refused to participate in school that first day because Bailey was not with her. Rosie, from her current vantage point of being 12 years old, thinks the teacher must have considered her to be “a very, very disturbed child” (21).

Part 1, Chapter 10 Summary: “Put Your Feet Up...”

Granny Torrelli always puts her feet up before she eats because it’s best to slow down and relax before enjoying the food. Granny Torrelli wishes Rosie’s parents were there, and Rosie agrees that they work too much. However, they both understand that her parents work hard in order to provide a good home and good food. Granny Torrelli asks Rosie again about Bailey. Rosie reminds her grandmother of the supplies that Bailey has to help him read, such as Braille and recorded books.

Rosie thinks about a time she helped Bailey. He was having difficulty reading, so to help him, Rosie wrote the letters with a thick black marker. Carmelita was excited to see Bailey reading the letters, though she berated herself for not coming up with the idea. About a year or so later, however, Bailey began learning to read Braille, a skill that Rosie struggled to master. She begged her mother to get her Braille books too, but time kept passing, and Bailey’s ability kept improving. One day, “feeling so left behind” (26), Rosie intentionally ripped a page in Bailey’s Braille book, claiming it was an accident.

Part 1, Chapter 11 Summary: “Plays...”

Bailey and Rosie have invented their own plays for many years. In one play they made when they were about seven years old, Bailey was the father, and Rosie was the mother. Bailey, as the father, refused to go to the park because he was “sick of all this responsibility” (28). Bailey then threw the baby—Rosie’s stuffed tiger—to the floor. The next day, Bailey arrived with a suitcase to stay at Rosie’s house for a time. Rosie was happy, but Bailey was not. He said it was because his father was not coming back. Rosie tried to convince him to the contrary, but he was right.

Part 1, Chapter 12 Summary: “The Blind Woman...”

Granny Torrelli returns from the bathroom and asks Rosie what she was thinking about. Rosie tells her that she was thinking about the aforementioned play as well as about another one where Rosie wanted to be a blind woman, but Bailey said she could not because she did not know what it is like to be blind. When Bailey refused to be in the play, Rosie tried to do a play on her own, but she didn’t enjoy the experience. Granny Torrelli observes that Rosie can be stubborn.

Part 1, Chapter 13 Summary: “Stubborn Streak...”

Granny Torrelli says that Rosie’s stubbornness comes from her, but Rosie only perceives her grandmother as ”always so calm, so patient” (33). To demonstrate, Granny Torrelli tells Rosie a story about her own childhood. Pardo had been paying a great deal of attention to a “big black mangy-looking dog” (34) that he named Nero, and Granny Torrelli got jealous. She decided to try to make Pardo love her, which would, in turn, make Pardo want to spend time with her again. Her plan was to bring Nero to the woods and bribe him with chocolate. Pardo let Granny Torrelli walk the dog, but as she walked him, the huge dog took off, dragging her along until she lost hold of him. Horrified at the thought of returning to Pardo without the dog, Granny Torrelli searched for hours—when she finally returned home, though, the dog was already back with Pardo, along with her worried family. Frustrated and relieved, she punched Pardo and called the dog stupid.

Part 1, Chapters 1-13 Analysis

This novel is largely about the decisions that the individual characters make in their relationships with each other. The characters must learn to understand who they are and how they feel. As the novel opens, the reader only knows what Rosie knows about Granny Torrelli. Rosie is 12 years old, so she is old enough to have an idea of who the people around her are, but since any relationship between a child and an older relative involves power dynamics, the question is raised as to how much Rosie really knows Granny Torrelli and how much her opinions of the woman are skewed by her immaturity. As the novel opens, Rosie sees Granny Torrelli as being a calm woman. This is in opposition to the turmoil Rosie often feels within herself. At this point, she believes she sees a difference between her own and her grandmother’s internal worlds. There is some evidence, however, that Rosie’s perceptions could be skewed. An example is the response Granny Torrelli once had to an intruder in the past. Instead of cowering, the woman beat the intruder back and threatened him with a gun she did not even have. How much of this behavior is typical of Granny Torrelli and how much is an aberration is as of yet unknown.

The theme of The Power of Storytelling is established in these chapters on several levels. The main point of tension at the beginning of the novel is a breach in the relationship between Bailey and Rosie, but neither the reader nor Granny Torrelli knows what caused this breach. Both the nature of the breach, and the significance of it, are revealed through the interplay of Granny Torrelli’s memories and Rosie’s memories. Readers are involved in this interplay too, in a way, as they must use the clues and implications of the stories to piece together the main story—not only the facts of it, but also its emotional undertones.

Storytelling helps shed light on the other themes in the novel as well. Rosie and Bailey have been together since they were born. Rosie feels a strong responsibility to help him, which both their mothers encourage, and she wants them to be as similar as possible. These two powerful desires combined to form a disastrous first day of school. Bailey needing to attend a special school, in Rosie’s perspective, both robbed her of her special purpose and made them undeniably different. Over the course of the novel, as the themes of The Value of Empathy and The Importance of Forgiveness unfold, Rosie comes to appreciate that Bailey has his own skills and strengths and that a strong friendship will accommodate and even celebrate many differences. However, in these initial chapters, Rosie is still struggling with these lessons. For example, Rosie recalls ripping a page from Bailey’s Braille book and the poor outcomes of two plays she wanted Bailey to perform with her. These representations of failed storytelling, taken together, indicate Rosie’s current lack of empathy and inability to acknowledge her mistakes.

Notably, though it is subtle at first, Granny Torrelli demonstrates empathy with her well-timed exits. Throughout the novel, Granny Torrelli’s intentional brief absences provide space for the children to self-reflect. In this case, it’s merely a bathroom break, but even then, the moment Granny Torrelli returns, she prompts Rosie to share how she has used the silent moment: “[W]hat were you thinking about while I was gone?” (30). These instances are somewhat paralleled by Granny Torrelli’s preference for pausing, appreciating, and reflecting: “[s]he likes to take a few minutes to smell the food and relax before we go rushing around and gobbling it up” (23). Even in the chapter where the two take this pause before eating, Granny Torrelli gently tests Rosie, asking if Rosie understands why her parents work so hard. Though Rosie initially fumbles the question a bit, not quite grasping that the hard work is for her benefit specifically, her reaction when Granny Torrelli asks about her shoes, in turn, somewhat hints at Rosie’s capacity for empathy. Rosie considers the tightness of her shoes, considering whether she needs new ones: “I am tempted to say yes, but I don’t” (23).

Granny Torrelli’s first story about Pardo, which features Nero, the dog, also begins to introduce the importance of acknowledging mistakes. The stories that Granny Torrelli tells of her time with Pardo reflect the situations that Rosie finds herself in with Bailey. In this case, Granny Torrelli’s story responds to Rosie’s memory of insisting on being a blind woman in a play with Bailey. Often, the stories with Pardo are themselves instances of Granny Torrelli acknowledging her own past mistakes. That is the case here, in which Granny Torrelli, as a child, couldn’t bring herself to share her real feelings or admit she had taken a foolish action. This approach ties into the power of storytelling as well, as Granny Torrelli does not tell Rosie what to do, but rather offers her own mistakes for Rosie’s evaluation.

Action in the novel is limited. The focus is on relationships and how young people deal with complicated feelings like jealousy. However, Creech is able to bring her writing to life through the use of active and descriptive verbs. These verbs, in turn, help to emphasize the role that food plays in culture and relationships, highlighting the symbol of Meals. In the first half of the book, the characters are making zuppa, or soup. In the chapter, “Granny Torrelli Makes Soup…,” Creech uses multiple strong verbs to grab the reader’s attention. In three consecutive sentences, she uses the following verbs to describe the preparation of the soup: reaches, snatches, flips, zaps, seizes, fills, tosses, hands, shop, and fling. These strong active verbs to describe what could be seen as relatively mundane tasks elevate the task of cooking and demonstrate how valuable it is in the lives of the characters. Cooking, for Granny Torrelli and Rosie, is not merely a task to meet a physical need. They are doing something important. They are passing along cultural traditions through the generations. In doing so, they are also creating time for each other, a space in which they can share wisdom and moments of realization.

Creech also incorporates many Italian words and phrases. The most noticeable one is the use of the word zuppa for soup. It is therefore not just recipes that are being passed down through the generation. By including words in Italian, Creech further shows how important culture and communication are and how practicing both together fosters unity and growth.

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