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Power structures—divine as well as human—feature prominently throughout the poem. What is the overall role of power structures in Metamorphoses? Consider these questions as you reflect on the text to answer this question:
Teaching Suggestion: This is a good opportunity to discuss Ovid’s relationship to the Roman imperial regime of his time. In particular, Ovid had a tense relationship with the Emperor Augustus, as he was eventually exiled from Rome. You might discuss the way Ovid represents Rome and the Roman Empire in his poem.
Differentiation Suggestion: English learners, students with dyslexia, and those with attentional or executive function differences might find sorting through the entire text to find evidence daunting. You might help these students pinpoint the most relevant sections of text to limit the amount they need to review or allow students additional time to gather evidence. If time constraints are a concern, students could work in groups to consider the power structures in 1-3 of the books listed and then share their findings in the form of an informal presentation or poster.
Use this activity to engage all types of learners, while requiring that they refer to and incorporate details from the text over the course of the activity.
“Writing Metamorphosis”
In this activity, students will use their critical and creative thinking skills to write a short account of an Ovidian metamorphosis.
Ovid uses a distinctive style in his diverse poem to explore the unifying theme of metamorphosis. In this activity, you will write your own short account of a metamorphosis that mimics Ovid’s style. You can use any source for your story (or you can make it up), but you should take the following into consideration:
After completing this activity, students can turn their stories in to the instructor or present them in front of the class. This activity should spark class discussion on the different types of metamorphoses that Ovid explores in his poem.
Teaching Suggestion: Students may wish to revisit their definitions of “metamorphosis” from the Personal Connection Prompt and/or reflect on the significance of Ovid’s theme Boundaries and Fluidity with this Activity. Before starting students on this assignment, you might take some time to discuss the hallmarks of Ovid’s style, including his wit, his love of wordplay and soundplay, his allusiveness, and his penchant for squeezing a lot of narrative into tight spaces. You might also discuss some of the major symbols and motifs that recur in the poem, including punishment, betrayal, and speech.
Differentiation Suggestion: To encourage students with an interest in performance or the performing arts, consider allowing them to act out an episode from Ovid’s Metamorphoses for the class rather than composing their own account of a metamorphosis. Students may also wish to perform their own creations. Visual learners, technologically inclined students, and those who wish to strengthen their graphic design skills might benefit from telling their stories in the form of a video, comic strip, or similar medium.
Use these essay questions as writing and critical thinking exercises for all levels of writers, and to build their literary analysis skills by requiring textual references throughout the essay.
Differentiation Suggestion: For English learners or struggling writers, strategies that work well include graphic organizers, sentence frames or starters, group work, or oral responses.
Scaffolded Essay Questions
Student Prompt: Write a short (1-3 paragraph) response using one of the bulleted outlines below. Cite details from the text over the course of your response that serve as examples and support.
1. Gender is an important theme throughout the poem, with many mortal and immortal women suffering because of male figures.
2. Ovid’s Metamorphoses contains hundreds of stories, including many that are embedded within other stories through the use of framing devices.
3. Most of the stories in the Metamorphoses feature some kind of metamorphosis or transformation.
Full Essay Assignments
Student Prompt: Write a structured and well-developed essay. Include a thesis statement, at least three main points supported by text details, and a conclusion.
1. Ovid’s Metamorphoses often reflects on different forms of art, including written, visual, and auditory arts. Pick one art form that appears in the poem and discuss its role throughout. In what stories does this art form make an appearance? What characters or gods are associated with it? What is Ovid trying to say about this art form?
2. In the opening lines of the Metamorphoses, Ovid asserts that he will compose “one continuous song from nature’s first / Remote beginnings to our modern times” (1). Perform a close reading of these lines in the context of the whole poem. What does Ovid mean by “one continuous song”? Does he achieve this goal? How do the ideas of time, myth, and history intersect in Metamorphoses?
3. Ovid often represents metamorphosis as a form of boundary-crossing. What kinds of boundaries are crossed in Ovid’s Metamorphoses? Focusing on one story or a group of stories, identify one kind of boundary that is crossed in the poem. How does Ovid define this boundary? How and why is it crossed? What is the purpose that is served by crossing this boundary?
Multiple Choice and Long Answer Questions create ideal opportunities for whole-text review, exams, or summative assessments.
Multiple Choice
1. Why does Daphne turn into a laurel tree?
A) To anger Amor
B) To flee the advances of Apollo
C) To please Apollo
D) To escape the flood
2. Why does Jupiter turn Io into a cow?
A) To hide her from Juno
B) To make her more edible
C) To punish her for being unfaithful
D) To prevent her from being raped
3. What form does Jupiter take to seduce Europa?
A) A swan
B) A bull
C) A satyr
D) A man
4. Why does Diana turn Actaeon into a stag?
A) Because he did not sacrifice to her
B) Because he raped one of her handmaids
C) Because he insulted her mother
D) Because he saw her bathing naked
5. How do the daughters of Minyas anger Bacchus?
A) By making fun of his mother
B) By boasting that they were more powerful than him
C) By trying to kidnap him
D) By refusing to worship him
6. Which of these stories features a god punishing a mortal for their pride?
A) The story of Baucis and Philemon
B) The story of Alcyone and Ceyx
C) The story of Minerva and Arachne
D) The story of Ulysses and Ajax
7. How does Cephalus demonstrate his devotion to Procris?
A) By rejecting the goddess Dawn
B) By castrating himself
C) By trusting Procris unconditionally
D) By only having male lovers
8. How does Theseus demonstrate faithlessness?
A) By killing the Minotaur
B) By leaving the tributes to die in the Labyrinth
C) By imprisoning Daedalus
D) By abandoning Ariadne
9. Which of the following is an example of a happy couple?
A) Tereus and Procne
B) Philemon and Baucis
C) Cephalus and Procris
D) Zeus and Semele
10. In which of the following stories is a non-human metamorphosed into a human?
A) Niobe
B) Hermaphroditus
C) Pygmalion
D) Daphne
11. Which of the following figures kills themselves because their beloved dies?
A) Alcyone
B) Aesacus
C) Pygmalion
D) Both A and B
12. Where does Aeneas go after fleeing Troy?
A) Italy
B) Greece
C) Egypt
D) China
13. Why does Polyphemus kill Acis?
A) Because he is jealous of Galatea’s love for him
B) Because he made a mistake
C) Because he stole his flute
D) Because he helped Ulysses
14. What happens to Aeneas after he drowns?
A) He is brought back to life.
B) He turns into a river.
C) He becomes a god.
D) He is thrown into Tartarus.
15. What will make Ovid’s name eternal?
A) His wealth
B) His poetry
C) His patronage of Augustus
D) His praise of the gods
Long Answer
Compose a response of 2-3 sentences, incorporating text details to support your response.
1. Who is Phaethon? How do his actions nearly cause the destruction of the cosmos?
2. Who is Pythagoras? How do his teachings reflect the central themes and motifs of the Metamorphoses?
Multiple Choice
1. B (Book 1, “Apollo and Daphne”)
2. A (Book 1, “Io”)
3. B (Book 2, “Jupiter and Europa”)
4. D (Book 3, “Diana and Actaeon”)
5. D (Book 4, “The Daughters of Minyas”)
6. C (Book 6, “Arachne”)
7. A (Book 7, “Cephalus and Procris”)
8. D (Book 8, “The Minotaur”)
9. B (Book 8, “Philemon and Baucis”)
10. C (Book 10, “Pygmalion”)
11. D (Book 10)
12. A (Book 13, “The Pilgrimage of Aeneas”)
13. A (Book 13, “Acis and Galatea”)
14. C (Book 14, “The Triumph and Apotheosis of Aeneas”)
15. B (Book 15, “Epilogue”)
Long Answer
1. Phaethon is the son of the Sun and a mortal woman. He foolishly demands to ride the chariot of the sun god, but he loses control of the fiery horses, nearly destroying the cosmos. (Books 1 and 2, “Phaethon”)
2. Pythagoras is a Greek philosopher living in Croton in southern Italy. He teaches that everything is in a state of constant change and transformation, reflecting the poem’s central theme of metamorphosis. (Book 15, “The Doctrines of Pythagoras”)
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By Ovid