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Arkady StrugatskyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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The central symbol representing the alien visitation is that of a roadside picnic. In Valentine’s view, the Visit was a leisure-like pastime for the aliens, one where they probably didn’t even notice humanity’s presence, and certainly haven’t thought about it since departing.
While Valentine frames the Visit in many ways, the Visit as a picnic is probably the most evocative, hence the authors’ decision to use the framing device as the book’s title. Because the aliens’ intentions, psychology, and purpose of their technology is unfathomable, the closest readers can come to imagining what it’s like for the book’s characters to encounter the Zone and its contents is to try to place themselves in the head of a woodland creature, or even an insect coming upon the garbage from a picnic. Most of what one of these creatures might find will be useless, the object of curiosity at best. Some of it, like broken glass, is deadly. With zero notion of the containers and products made from glass, it will seem like nothing more than a source of gratuitous pain and death, when in fact the substance has utility for its owners. And even that which may be useful—perhaps a creature manages to use a piece of discarded newspaper to build their nest—will be applied in a way that has nothing to do with its original purpose.
If Roadside Picnic is a parable about the dangers of capitalism, the idea of the Golden Sphere fits into this reading as a symbol for the American Dream. Although the Golden Sphere is a promise of wealth, riches, and happiness, obtaining one’s truest wish requires another’s death. This parallels the capitalist idea that one must succeed at all costs.
Among the most disturbing after-effects of the Visit are living corpses—zombies who crawl out of their grave to return to the homes they inhabited while alive. When Richard expresses his natural aversion to the living corpses, Valentine is almost hilariously untroubled by the fact of actual zombies rising from the grave. Despite the fact that Valentine’s willingness to equate zombies to perpetual motion machines makes sense scientifically, Richard nonetheless can’t escape the fundamental ghoulishness of the living corpses. Valentine’s comparison with movie monsters or haunted house gags is overly dismissive, given that the corpses are more than mere scientific anomalies. They are scientific anomalies with human faces—potentially the faces of lost loved ones. This plays heavily into Freud’s idea of the uncanny as a psychological concept, in which something familiar takes on an unsettling effect. The fear of the living dead is also perhaps a misplaced terror of the departed aliens themselves—whose shape and form are unknown—projected onto the corpses.
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